THE METRANSVERSE
THE METRANSVERSE
The intentional reorientation of focus within "The Metransverse" manifests as a deliberate departure from Western artistic norms. The series, emancipated from the constraints of prevailing Western art paradigms, boldly situates trans bodies at its forefront. In this paradigm shift, the collection seizes agency, enabling trans individuals to ascend beyond being mere subjects and emerge as the resplendent protagonists, commanding attention and reshaping their own narratives.
Deviating from the traditional paradigms inherent in 14th-century Renaissance art, "The Metransverse" undertakes a conscientious exploration that transcends cultural and artistic boundaries underscoring a critical juncture in the 21st century. Rooted in the artist's Asian heritage, this series adeptly synthesizes Eastern aesthetics, notably influenced by anime and manga. The emergence of a self-taught artist who cultivated her skills in drawing and painting through immersive engagement with anime and manga, underscores not only her passion for the medium but also her capacity to absorb and reinterpret visual languages within a cultural context.
“DYIPNIQUE”
Photographs in this series was made in collaboration with Alithea Castillo and Kim Geronimo
Highlighting the Philippine Jeepney, which originates from refashioned military vehicles left behind by US soldiers after World War II. A representation of resourcefulness and resilience of Filipinos. On top is a portrait of Aisia, a transwoman representing intersectional feminism and the need for it to be more inclusive.
DYIPNIQUE
(2022)
72” x 48”
INSTALLATION WORK
THE DOMIVERSE
(2022)
33” x 28”
INSTALLATION WORK
Contrasting from the westernized style of 14th century renaissance art, ‘The Domiverse’ embraces an eastern influence with its aesthetics as the art piece is infused with anime and manga influences prevalent in Asian society where the artist came from. This exploration is also aimed to move away from the western works of art that are voyeuristic to the female.
ADARNIQUE
(2022)
72” x 48”
INSTALLATION WORK
This piece presents a story behind the Adarna Bird, a mythical creature from the Philippines. The bird is known not only for its magical tears that have healing powers, but also its fatal droppings that will turn you into stone. The background is an immense portrayal of spring, of life, of celebrations — complete with fireworks in the color of the trans flag, it suggests a celebration for the community. Also painted are two trans women, Dominique and Aisia Castelano, both seemingly turned into stone statues. The dichotomy of the piece explores the conversation between the apparent milestones in the trans community through representation in TV, film, politics, etc., yet on the other hand, the heightened lack of resources, food insecurity, the relentless assault on the community. This assault is seen through the various legislations being written across the country, alongside other dehumanizing policies set in place across the globe.
This multifaceted installation work, encompassing paintings, photographs, and digital art, unfolds as a triptych that delves into the deeply personal journey of the artist's transgender experience and her poignant connection with her sister Aisia. The first panel, 'Dyipnique,' serves as a visual homage to home, featuring a Jeepney inspired by the artist's childhood home in the Philippines, where Aisia, the muse of the piece, still resides. This section becomes a snapshot of familial ties and a nostalgic embrace of cultural roots.
Transitioning seamlessly, 'The Domiverse' captures the artist's story of migration to the United States for her medical transition. This segment serves as a visual representation of her physical and emotional journey away from home, symbolizing the transformative process that transcends geographical boundaries. The narrative unfolds further, imagining a symbolic reunion with Aisia, who, like the artist, has undergone transitioning in the Philippines. The visual exploration encapsulates the artist's emotional longing for reconnection, having been separated for almost a decade.
Concluding the triptych, 'Adarnique' confronts the challenges posed by a cisheteropatriarchal world to both the envisioned reunion and the broader context of being queer of color. This panel adds a layer of complexity and tension to the narrative, reflecting the societal obstacles faced by transgender individuals. The collaborative efforts of award-winning scoring artist Danielle Venne, along with queer creative technologists Array Bercov and Zel Downey, amplify the storytelling through musicality and digital animation, enriching the immersive experience of the installation.
As a digital art piece, this project serves as an exploration of the artist's profound sense of longing for reconnection with her sister Aisia. The physical distance created by the artist's journey to the United States for medical transition becomes a central theme, highlighting the emotional complexities of separation and transformation.
THE METRANSVERSE TRIPTYCH
(2022)
DIGITAL ART VIDEO in collaboration with Zel Downey and Array Bercov